NADIA MYRE

The Indian Act was amended many times. on April 17, 1985, after a 15+ year struggle led by Mary Two-Axe Earley, Bill C-31 was passed.

it finally revised Indian status to address the gender discrimination of the Act.

The Indian Act of 1985 abolished enfranchisement and restored status to those whose status had been removed through enfranchisement.

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Grandmothers

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Portrait in motion, 2002

rethinking anthem, 2008

The scar project —2005 to 2013

Book published in accompaniment of Nadia Myre: Skin Tissue, National Museum of the American Indian, 2010

Fray, Textile Museum of Canada, 2006

The first Scar Project work session, Queen

Kendall Art College (Ferris State University), Grand Rapids, 2010

University of Lethbridge, 2005

The Scar Project, Third Space Gallery, Saint John, 2006

The Scar Project, Third Space Gallery, Saint John, 2006

The Scar Project, Third Space Gallery, Saint John, 2006

Making Sense of Things, McMaster Museum of Art, Hamilton, 2006

Festival Montagne Rouge, Ste-Adele, 2008

The Scar Project, Urban Shaman, Winnipeg, 2007

all our relations, 2012 Biennial of Sydney, Sydney, 2012

Native Friendship Centre, Montréal, 2006

Native Friendship Centre, Montréal, 2006

The Scar Project, Third Space Gallery, Saint John, 2006

The Scar Project, Third Space Gallery, Saint John, 2006

The Scar Project, Third Space Gallery, Saint John, 2006

2006

Hide: Skin as Material and Metaphor, National Museum of the American Indian, Manhattan, 2010

Hide: Skin as Material and Metaphor, National Museum of the American Indian, Manhattan, 2010

Hide: Skin as Material and Metaphor, National Museum of the American Indian, Manhattan, 2010

all our relations, 2012 Biennial of Sydney, Sydney, 2012

all our relations, 2012 Biennial of Sydney, Sydney, 2012

all our relations, 2012 Biennial of Sydney, Sydney, 2012

all our relations, 2012 Biennial of Sydney, Sydney, 2012

The Scar Project, 2012 Sydney Biennale, Cockatoo Island

SOBEY shortlist exhibition, Winnipeg Art Gallery, Winnipeg, 2014

Musée national des beaux-arts du Québec, Quebec, (permanent exhibition)

scarscapes —2010

Scarscapes: Circle, 2010

Scarscapes: Stitch, 2010

Archival digital print on rag paper, 72" x 44"

Scarscapes: Minimal, 2010

Archival digital print on rag paper, 72" x 44"

De quoi l'image et t'elle le nom? Momenta—Biennale de l’image, Galerie UQAM, Montreal, 2107

De quoi l

Meditations on Black Lake —2012

Meditations on Black: Cultural, 2012

Meditations on Black: Celestial, 2012

Meditations on Black: Geographical, 2012

Meditations on Black: Material, 2012

Meditations on Black: Philosophical, 2012

Meditations on Black: Political, 2012

Meditations on Black: Temporal, 2012

Meditations on Black: Spiritual, 2012

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orison / oraison, 2014

Orison #4, 2014

Digital print, 43 x 33 inches, edition of 7

Orison #1, 2014

Digital print, 43 x 33 inches, edition of 7

Orison #2, 2014

Digital print, 43 x 33 inches, edition of 7

Scattered Remains / Tout ce qui reste, Montreal Museum of Fine Arts, Montreal, 2017

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TRee of SHIFTING Forms, Canadian CULTURAL Centre, Paris, 2018

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Install of Tree of Shifting Forms, Paris, 2018

Code Switching and Other Work, GLasgow international, glasgow, 2018

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Francis Back, Scene depicting the sharing of the peace pipe, for the ‘Night Rounds’ poster. Pencil drawing on paper, on loan courtesy of the Collection Pointe-à-Callière, donated by Francis Back, atop

Francis Back, Scene depicting the sharing of the peace pipe, for the ‘Night Rounds’ poster. Pencil drawing on paper, on loan courtesy of the Collection Pointe-à-Callière, donated by Francis Back, atop

Rubbing Plate (A Victorian Craze <a href=for Monumental Brass)" />

Rubbing Plate (A Victorian Craze for Monumental Brass)

Untitled: (Tobacco Barrel)

Untitled: (Tobacco Barrel)

Archaeological Debris, Collected Clay Tobacco Pipes and Shards, Canada, England, Scotland

Archaeological Debris, Collected Clay Tobacco Pipes and Shards, Canada, England, Scotland

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Sharing Platform (New Technologies)

Sharing Platform (New Technologies)

Contact in Monochrome (Toile de Jouy)

Contact in Monochrome (Toile de Jouy)

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Contact in Monochrome (Toile de Jouy)

Contact in Monochrome (Toile de Jouy)

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Frederick William Fairholt, Tobacco : its history & associations; including an account of the plant and its manufacture; with its modes of use in all ages and countries with 100 illustrations by the a

Frederick William Fairholt, Tobacco : its history & associations; including an account of the plant and its manufacture; with its modes of use in all ages and countries with 100 illustrations by the a